Thursday, July 21, 2011

Make Art Not War....sent by Sherry Miller

Syracuse Cultural Workers
10 YEARS + COUNTING
10 YEARS + COUNTING.
10 YEARS + COUNTING What should you do this fall? Make art!
10 YEARS + COUNTING From September 11 through October 7, 2011. Join a nationwide effort by U.S. artists to create grassroots cultural responses to the 10th anniversary of the war in Afghanistan.
10 YEARS + COUNTING There has perhaps never been a more important time for peaceful people to be heard. Our communities are under assault, income inequality is at staggering levels, and we are increasingly unhealthy in body and spirit. All the while our country continues to send our fellow Americans abroad to fight in wars we can't afford financially, mentally, or spiritually. After ten years it's time to say enough is enough.
10 YEARS + COUNTING Create a show, a spectacle, a happening, a sculpture, a dance, a flash mob, a bakeoff, a roving parade, free yoga classes, a poetry workshop, a choir, etc. Think outside the realms of traditional protest: what would your family like to do on a Saturday afternoon? What would be fun and meaningful for your community?
Once you've decided on your action, list your event at www.10yearsandcounting.org. Songs and dances and can be uploaded to the 10YAC YouTube channel, poems can be submitted for a blog, and visual art can be submitted for an online gallery.
Help send up a rumble from the grassroots!
We are united by the imagination, by creativity, by tomorrow.
-Subcomandante Marcos
Home About SCW Request a Catalog Exhibits Customer Concerns "Have You Seen This?!"
Imprinting Artists Wholesale Fundraising Help SCW Permissions Gift Certificates Store
Keep Syracuse Cultural Workers e-mails coming! Add no-reply@syracuseculturalworkers.com to your address book now.
Syracuse Cultural Workers, P.O. Box 6367, Syracuse, New York 13217 | Phone: 800.949.5139 | Fax: 800.396.1449.

Wednesday, July 20, 2011

Are you a Zapatista? Send by Professor Sherry

I just started reading today a book by Margaret Wheatley (one of my leadership gurus who wrote Leadership and The New Science that I had with me when I was with you) and Deborah Frieze called Walk Out Walk On, A Learning Journey into Communities Daring to Live the Future Now. Over the past few years these two women identified 7 different communities around the world who have taken on challenging problems locally and "discovered enduring solutions and created healthy and resilient communities by working together in new and different ways." All of which brought back to me listening to you each and all sharing your dreams from your AI active research projects.

The first of the seven communities is in Zapatista land in southern Mexico and ends with this:

Why Change Happens

The only reason change happens on this planet
the only readon change ignites across networks,
the only reason Daniel's invention finds new forms
     as he carries it from Mexico to India,
the only reason Unitierra succeeds in creating joyful universities,
the only reason Zapatistas speak to the hearts of millions,
the only reason seven trees planted in Kenya blossom across Africa
     into forests of forty million.....

The only reason these changes happen is because of people.

People who discover they're creative and caring.
People who know others are like them, creative and caring.
People who learn to trust themselves and everyone else.
People who know that dreams only manifest when shared.
People who pour time and love into creating
     the places where ever more people,
          no matter how oppressed or beaten down,
               will step forward and
     confidently, predictable, miraculously
     discover their true human spirits.

Are you a Zapatista?

Wednesday, July 13, 2011

Thursday, July 7, 2011

Appreciative Inquiry sent by Lisa

Discover:
Interview current/former team members, principals:

Questions:
1. What motivates you to contribute in a team
environment?

2. What makes you feel like a successful member of your team?
3. What is the benefit of working together as a team, as opposed to working alone?
4. What is your experience of working in teams?  What
elements of teamwork have been successful for you?

5. Tell me the best team teaching experience you have ever experienced, or been a part of?

Teacher Resource Letters to a Bullied Girl Olivia Gardner and Emily Buder, Sent by Kate S.

Letters to a Bullied Girl introduces readers to a fantastic young woman who has
struggled with epilepsy and being bullied. This book is the starting point for five
interdisciplinary lessons designed to:

1. put a face on bullying and dealing with human issues such as epilepsy through
Letters to a Bullied Girl and other sources;

2. raise awareness about how being different can lead to bullying;

3. understand what bullying is, why people bully others, the effects bullying has on
all involved, how to deal with or confront a bully, and how bullying can cause
major societal problems;

4. motivate students to plan and develop an anti-bullying project for their school
and/or community.

Lesson One introduces Olivia and the context in which her story develops. Students
chart what they know and want to know about bullying. Through a survey and a series
of comprehension and interpretation questions, students’ knowledge and awareness
about bullying can be evaluated.

Lesson Two develops the understanding of students about how differences in people
can cause uneasy reactions which may lead to bullying.

Lesson Three develops the students understanding of bullying. Students learn why
people bully, the different kinds of bullying, the effects bullying has on everybody
involved, and how to confront bullying. Students will create different sections of a fact
booklet about bullying.

Lesson Four allows students to read letters from bullies about why they bullied and how
they feel about it now. Students also read letters from the victims of bullying and how
they felt about being a bullying victim. Students also learn how to develop empathy and
sympathy for victims of bullying. Students begin to understand that there is no
acceptable reason for bullying. Students also begin to understand the potential
consequences for society as a whole if bullying is left unchecked.

Lesson Five puts all of the learning in lessons one through four into action. Students will
develop an all school anti-bullying campaign. The goal is that through this project and
other extension activities, bullying will disappear from schools throughout the world.

There are two reproducible handouts included in this guide. Both are in Lesson One.

LESSON ONE

Understanding Olivia Gardner

Language Arts, Geography, Health, Sociology

SUBJECT AREA:

TIMING: Two to three class periods

OBJECTIVES:

(1)

To introduce, read, and discuss Letters to a Bullied Girl

(2)

To explore students' knowledge, understanding, and
attitudes toward bullying

(3)

To use a response journal to record students' reactions to Olivia's story and
situation

GETTING STARTED - PREPARING

1.
Introduce Letters of a Bullied Girl to the students. Explain that they will be active
readers of the book as they will respond to it in writing, discuss it, and work to help other
students like Olivia.

2.
Ask students to use a response journal in which they will reflect on the book and
respond to writing prompts. The response journal may be assigned as homework and
evaluated in class.

3.

Allow students time to respond to this prompt: Olivia's story is true. What does
the title of the book suggest to you?

OPENING ACTIVITY- CHARTING

Tell students they will be taking an anonymous survey about bullying. Students will
complete the survey and turn it in without their name on it. The results will be compiled
and shared with the class. Give Handout One to the students.

Students will create a K-W-L chart. The chart will show what students currently know
about bullying, what they want to know about it, and what they learned about bullying.
Students will fill in the K and W portions of the chart now. The learn portion will be filled
in as they read through the book.

EXPLORATION 1 - WHO IS OLIVIA?

1. Tell students Olivia is a girl from northern California who was bullied, beginning in
middle school after she suffered a seizure in class with her classmates present.
The bullying occurred in many places, including in class, in the halls, and on the
Internet. Even when she changed schools, the bullying continued when students
found out about her experiences in previous schools. For younger students,
bring out a map to show the students where northern California is located.

2. Read the dedication and introduction sections of the book. Ask students to write
their thoughts about what they read in their response journals.

EXPLORATION 2 - RESPONDING

Give Handout Two to students. They should read it and then answer the
questions in their response journal.

WRAP UP

1. A picture has been painted of Olivia in these sections of the book. Have students
draw a picture representing Olivia's life while being bullied.

2. Have students draw a picture representing their life.

TEACHING TIPS

1. You may want to begin reading some of the chapters of the book, beginning with
Part One. Since the next lessons will cover the Foreword and Author’s Note
sections, you should skip those for now.

2. You may want to wait until day two of the lesson to share survey results. It will
take some time to compile the results.

From Dorothy Allison’s book, Two or Three Things I Know for Sure, Sent by Sherry



Two or three things I know for sure,
and one of them is what it means to have no loved version of your life but the one you make.

Two or three things I know for sure,
and one of them is the way you can both hate and love something you are not sure you understand.

Two or three things I know for sure,
and one of them is just this—if we cannot name our own we are cut off at the root, our hold on our lives as fragile as seed in a wind.

Two or three things I know for sure,
and one of them is that no one is as hard as my uncles pretend to be.

Two or three things I know for sure,
but none of them is why a man would rape a child, why a man would beat a child.

Two or three things I know for sure,
and one of them is that change when it comes cracks everything open.

Two or three things I know for sure,
and one of them is how long it takes to learn to love yourself, how long it took me, how much love I need now.

Two or three things I know for sure,
and one is that I would rather go naked than wear the coat the world has made for me.

Two or three things I know for sure,
and one of them is that to go on living I have to tell stories, stories are the one sure way I know to touch the heart and change the world.

Two or three things I know for sure,
and one of them is that if we are not beautiful to each other, we cannot know beauty in any form.

Two or three things I know for sure,
and one of them is that telling the story all the way through is an act of love.


Coda by Jason Shinder, Read by Kristen

And now I know what most deeply connects us

after that summer so many years ago,
and it isn’t poetry, although it is poetry,

and it isn’t illness, although we have that in common,

and it isn’t gratitude for every moment,
even the terrifying ones, even the physical pain,

though we are grateful, and it isn’t even death,

though we are halfway through
it, or even the way you describe the magnificence

of being alive, catching a glimpse,

in the store window, of your blowing hair and chapped lips,
though it is beautiful, it is; but it is

that you’re my friend out here on the far reaches
of what humans can find out about each other.

Get to know your students....Sent by Julia

Please Help Me Get to Know Your Child…

As you child´s teacher, I’d like this school year to be the best your child has ever had. That’s why I’m asking for your help. I’ve found that the more I know about my students, the easier it is for me to help meet their needs. For that reason, I would appreciate it if you could take time to answer the questions below. Of course, this is completely voluntary. If you don’t feel comfortable answering a question, just skip it. Thank you so much for your time. Please return this form to me as soon as possible!!


Child’s Name:__________________ Nickname:_______________
  1. Please list all the adults living in your child’s household:
Name Relationship
_______________________ ______________________
_______________________ _______________________
_______________________ _______________________
_______________________ _______________________
  1. Please list all the children in the family, along with their ages, grades, teachers, and genders.
Name Age Grade Teacher Gender
_________________ ______ _______ ________ ________
_________________ ______ _______ ________ ________
_________________ ______ _______ ________ ________
_________________ ______ _______ ________ ________
  1. Does your child speak or understand a language other than English and Spanish? _________
If so, what language and where is it primarily spoken? _______________________________________________________
  1. What are your child’s major strengths?



  1. What is your child’s favorite subject in school?



  1. Tell me about your child’s interests and after-school activities. Also include nights that might be busy for your family.



  1. Describe you child’s feelings/attitude toward school.



  1. How does your child get along with other children?



  1. Please tell me about your child’s friends (who are they and what grade/teacher do they have).



  1. Does your child have any problems with learning?



  1. Please describe any recent family events or changes (death, divorce, marriage, new sibling, moving).



  1. How do you feel I, as your child’s teacher, can best help your child this year?



  1. Is there anything else that you think your child would like me to know about him/her?



  1. Do you have an e-mail address where I can contact you?


  1. Does your child have any allergies? Please include food allergies as well!



  1. Please list any holidays that your child may not participate in.


These questions were answered by ________________ Date____________

Thanks for your help!!

Anti-bullying websites, sent by Kate S.

Anti-bullying Programs:
The Olweus Bullying Prevention Program
The Arizona Bullying Prevention Project
Colorado’s Anti-Bullying Project
The Main Project Against Bullying
The Method of Shared Concern (The No Blame Approach)
The Bully Project - Documentary Film

Anti-bullying Websites:
http://www.pacerkidsagainstbullying.org/
http://www.bullyproject.com/
http://blogs.scholastic.com/top_teaching/2010/04/are-your-students-bucket-fillers.html
http://www.harpercollins.com/browseinside/index.aspx?isbn13=9780061544620
http://pbskids.org/itsmylife/games/bullies_flash.html
http://www.olweus.org/public/index.page
http://www.kidscape.org.uk
http://www.getspiked.co.uk/spikedko/index.htm
http://www.kidsturncentral.com/links/bullylinks.htm
http://www.stopbullying.gov/
http://www.stopbullyingnow.hrsa.gov/
http://takeastand.stopbullying.gov/kids/
http://www.getspiked.co.uk/spikedko/index.htm
http://www.itgetsbetter.org/
http://www.youtube.com/watch?v=FVjbo8dW9c8

Teen Help Line:
http://www.thetrevorproject.org/

Anti-bullying Discussion (caution, it is a little provocative):
http://www.protectanddefendinc.com/bullying-is-getting-too-much-attention
http://www.youtube.com/watch?v=CgeKRvuzSBM
http://www.youtube.com/watch?v=3-YojIifKIc
http://www.mediatakeout.com/mobile/content/?view=44003

Father's Day Poem by Anya Ruby

Before I was myself you made me
with love, patience, discipline and tears
little by little you lead me to be who I should be
and then you set me free

You allowed me to dream and to be me
you held my hand and reassured me against my fears
and then again you set me free

Before I was myself, you helped me see who I should be
You were always wise, graceful and very near
and yet you still set me free

Through your love I have been inspired to be me
I have the confidence to overcome my fears
Your love allowed me to see farther then me
You have stepped back to set me free
Even then you will always be the biggest part of me

"Finding Her Here" Jayne Relaford Brown

I am becoming the woman I've wanted
grey at the temples, soft-bodied, delighted
cracked up by life,
with a laugh that's known bitter
but past it, got better,
who knows that whatever comes, she can outlast it.
I am becoming a deep weathered basket.

I am becoming the woman I've longed for,
the motherly lover with arms strong and tender,
the growing up daughter who blushes surprises.
I am becoming full moons and sunrises.

I am becoming this woman I've wanted
who knows she'll encompass
who knows she's sufficient
knows where she's going
and travels with passion,
who remembers she's precious
but knows she's not scarce
who knows she is plenty . . .
plenty to share.

More TEDtalks! Sent by Lisa

If I Should Have a Daughter

The Power of Vulnerability


Wednesday, July 6, 2011

Links, sent by Katie!


Ken Robinson- Changing Paradigms (original/long version) http://www.youtube.com/watch?v=mCbdS4hSa0s&feature=player_embedded

Ken Robinson- Changing Paradigms (animated versions) http://www.youtube.com/watch?v=zDZFcDGpL4U&feature=relmfu

Elizabeth Gilbert- Nurturing Creativity  http://www.ted.com/talks/lang/eng/elizabeth_gilbert_on_genius.html

Ken Robinson- Do Schools Kill Creativity?  http://www.youtube.com/watch?v=iG9CE55wbtY 

Ken Robinson- Bring On The Learning Revolution  http://www.ted.com/talks/sir_ken_robinson_bring_on_the_revolution.html

Good to know! Sent by Kate

Graduates, the time has come...Class of 2011


University Cap and Gown.
They are located at 486 Andover Street in Lawrence, MA  01843
Their website is:  www.GradGowns.com
Tel number:  978-686-4566
Fax number:  978-686-8177

FAMOUS Naomi Shihab Nye, 1995, sent by Sherry

The River is famous to the fish.

The loud voice is famous to silence,
which knew it would inherit the earth 
before anybody said so.

The cat sleeping on the fence is famous to the birds
watching him from the birdhouse.

The tear is famous, briefly, to the cheek.

The idea you carry closely to your bosom
is famous to your bosom.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

The bent photograph is famous to the one who carries it
and not at all famous to the one who is pictured.

I want to be famous to shuffling men
who smile while crossing the streets,
sticky children in grocery lines, famous as the one who
smiled back.

I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.

Ars Poetica #100: I Believe by Elizabeth Alexander, sent by Kristen


Poetry, I tell my students,
is idiosyncratic. Poetry

is where we are ourselves,
(though Sterling Brown said

“Every ‘I’ is a dramatic ‘I’”)
digging in the clam flats

for the shell that snaps,
emptying the proverbial pocketbook.

Poetry is what you find
in the dirt in the corner,

overhear on the bus, God
in the details, the only way

to get from here to there.
Poetry (and now my voice is rising)

is not all love, love, love,
and I’m sorry the dog died.

Poetry (here I hear myself loudest)
is the human voice,

and are we not of interest to each other?

Kindness by Naomi Shihab Nye sent by Sherry

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing. 
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
it is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

WHY CHILDREN ENCHANT US by Marilyn Chandler McEntyre

They don’t know their lines.
They don’t consider the consequences.
They remind us of life before irony.
They invent logic.
We know more than they do.
We’ve forgotten things they know.
We know when they’re pretending.
They can be surprised by the obvious.
They’re very small.
They find laughter in odd places.
They think the commonplace is curious.
They’re not dumb, but they’re distractable.
They aren’t yet convinced that fun requires electricity.
They’re not in it for the money.
They think if you don’t know the truth you can make it up.
They like the sound of words.
They don’t mind singing in the street.
They’re washable.
They get that grandma is beautiful.
If they’re afraid they’ll tell you.
They think a question is a good way to find out.
They think it’s okay to sleep wherever you get sleepy.
They don’t kid themselves.
They have a life.

HOW TO RECOGNIZE GRACE By Marilyn Chandler McEntyre sent by Heather

It takes you by surprise
It comes in odd packages
It sometimes looks like loss
Or mistakes
It acts like rain
Or like a seed
It’s both reliable and unpredictable
It’s not what you were aiming at
Or what you thought you deserved
It supplies what you need
Not necessarily what you want
It grows you up
And lets you be a child
It reminds you you’re not in control
And that not in control is a form of freedom

The Invitation by Oriah



It doesn’t interest me
what you do for a living.
I want to know
what you ache for
and if you dare to dream
of meeting your heart’s longing.
It doesn’t interest me
how old you are.
I want to know
if you will risk
looking like a fool
for love
for your dream
for the adventure of being alive.
It doesn’t interest me
what planets are
squaring your moon...
I want to know
if you have touched
the centre of your own sorrow
if you have been opened
by life’s betrayals
or have become shriveled and closed
from fear of further pain.
I want to know
if you can sit with pain
mine or your own
without moving to hide it
or fade it
or fix it.
I want to know
if you can be with joy
mine or your own
if you can dance with wildness
and let the ecstasy fill you
to the tips of your fingers and toes
without cautioning us
to be careful
to be realistic
to remember the limitations
of being human.
It doesn’t interest me
if the story you are telling me
is true.
I want to know if you can
disappoint another
to be true to yourself.
If you can bear
the accusation of betrayal
and not betray your own soul.
If you can be faithless
and therefore trustworthy.
I want to know if you can see Beauty
even when it is not pretty
every day.
And if you can source your own life
from its presence.
I want to know
if you can live with failure
yours and mine
and still stand at the edge of the lake
and shout to the silver of the full moon,
“Yes.”
It doesn’t interest me
to know where you live
or how much money you have.
I want to know if you can get up
after the night of grief and despair
weary and bruised to the bone
and do what needs to be done
to feed the children.
It doesn’t interest me
who you know
or how you came to be here.
I want to know if you will stand
in the centre of the fire
with me
and not shrink back.
It doesn’t interest me
where or what or with whom
you have studied.
I want to know
what sustains you
from the inside
when all else falls away.
I want to know
if you can be alone
with yourself
and if you truly like
the company you keep
in the empty moments.

Quotes to share!

“Unless someone like you cares a whole awful lot, nothing is going to get better. It's not." --Dr. Seuss via The Lorax


A Few Quotes from Nicholas Carr’s The Shallows:
What the Internet Is Doing To Our Brains
which I found VERY well written, well researched and thought provoking!

(and let me own a disclaimer up front—I realize that this smattering of “stuff” makes me party to what Carr ponders and wonders about in the book, being jazzed by sparks rather than committing to deeper thinking and knowing!)

During the twentieth century, neuroscientists and psychologists also came to more fully appreciate the astounding complexity of the human brain. Inside our skulls, they discovered, are some 100 billion neurons, which take many different shapes and range in length from a few tenths of a millimeter to a few feet. A single neuron typically has many dendrites (though only one axon) and dendrites and axons can have a multitude of branches and synaptic terminals. The average neuron makes about a thousand synaptic connections and some neurons can make a hundred times that number. The thousands of billions of synapses inside our skulls tie our neurons together into a dense mesh of circuits that, in ways that are still to be understood, give rise to what we think, how we feel, and who we are. (p. 20)

The paradox of neuroplasticity, observes Doidge, is that, for all the mental flexibility it grants us, it can end up locking us into ‘rigid behaviors’…..Plastic does not mean elastic, in other words…..the process driving it may be ‘survival of the busiest’. (pp, 24/25)

‘If the experience of modern society shows us anything, observes the political scientist Langdon Winner, ‘it is that technologies are not merely aids to human activity, but also powerful forces acting to reshape that activity and its meaning’.
……Sometimes our toold do what we tell them to. Other times, we adapt ourselves to our tools’ requirements. (p. 47)

Between the intellectual and behavioral guardrails set by our genetic code, the road is wide, and we hold the steering wheel. Through what we do and how we do it—moment by moment, day by day, consciously or unconsciously—we alter the chemical flows in our synapses and change our brains. And when we hand down our habits of thought to our children, through the examples we set, the schooling we provide, and the media we use, we hand down as well the modifications in the structure of our brains. (p. 49)

To read a book was to practice an unnatural process of thought, one that demanded sustained, unbroken attention to a single, static object. It required readers to place themselves at what T.S. Elliot, in Four Quartets, would call “the still point of the turning world.” (p. 64)

But the world of the screen, as we’re already coming to understand, is a very different place from the world of the page. A new intellectual ethic is taking hold. The pathways in our brain are once again being rerouted. (p. 77)

The Net differs from most of the mass media it replaces in an obvious and very important way: it’s bidirectional. We can send messages through the network and receive them as well. (p. 85)

There’s much to be said for what economists call the ‘unbundling’ of content. It provides people with more choices and frees them from unwanted purchases. But it also illustrates and reinforces the changing patterns of media consumption promoted by the Web. As economist Tyler Cowen says, ‘When access (to information) is easy, we tend to favor the short, the sweet and the bitty.’ (p. 94)

Many observers believe it’s only a matter of time before social networking functions are incorporated into digital readers, turning reading into something like a team sport. We’ll chat and pass virtual notes while scanning electronic text. We’ll subscribe to services that automatically update our e-books with comments and revisions added by fellow readers. ‘Soon,’ says Ben Vershbow of the Institute for the Future of the Book…, ‘books will literally have discussions inside of them, both live chats and asynchronous exchanges through comments and social annotation. You will be able to see who else out there is reading that book and be able to open up dialogue with them….(p. 106)

The Net seizes our attention only to scatter it. (p. 118)

The mind of the experienced book reader is a calm mind, not a buzzing one. When it come to firing of our neurons, it’s a mistake to assume that more is better. (p 123)

It’s not only deep thinking that requires a calm, attentive mind. It’s also empathy and compassion. (p. 220)

That’s the essence of Kubrick’s dark prophecy: as we come to rely on computers to mediate our understanding of the world, it is our own intelligence that flattens into artificial intelligence. (p.224)

Enough! May we continue to be critical consumers of any media and continue to find the connections that really matter to keep us and our brains both wide and DEEP!






Our Metaphors

A Metaphor is not an ornament, it is an organ of perception.

Leading as an improvisational dance.

Knowing is not enough, we must apply, willing is not enough we must do it. -Goethe

Permaculture vs. Monoculture
simple, natural, generative, not orderly vs. clean, orderly, not natural, not simple.

The is a parachute; It functions best when it's open.

If language is to retain its power to nourish and sustain our common life, we have to care for it in something like the way good farmers care for the life of the soil. -Marylin McEntyre

Education is like a Chinese meal: a series of short courses, none of which you ever really finish.

The mind is barren soil, and will produce no crop, unless it is continuously fertilized with foreign matter. 

Minds are like parachutes; they only function when they are open.

Leading as an improvisational dance
 

TED Talks sent from Monica

"Finding Her Here" Jayne Relaford Brown

I am becoming the woman I've wanted
grey at the temples, soft-bodied, delighted
cracked up by life,
with a laugh that's known bitter
but past it, got better,
who knows that whatever comes, she can outlast it.
I am becoming a deep weathered basket.

I am becoming the woman I've longed for,
the motherly lover with arms strong and tender,
the growing up daughter who blushes surprises.
I am becoming full moons and sunrises.

I am becoming this woman I've wanted
who knows she'll encompass
who knows she's sufficient
knows where she's going
and travels with passion,
who remembers she's precious
but knows she's not scarce
who knows she is plenty . . .
plenty to share.

A Callarse/Keeping Quiet

Keeping Quiet
Pablo Neruda

Now we will count to twelve
and we will all keep still.

This one time upon the earth,
let's not speak any language,
let's stop for one second,
and not move our arms so much.

It would be a delicious moment,
without hurry, without locomotives,
all of us would be together
in a sudden uneasiness.

The fishermen in the cold sea
would do no harm to the whales
and the peasant gathering salt
would look at his torn hands.

Those who prepare green wars,
wars of gas, wars of fire,
victories without survivors,
would put on clean clothing
and would walk alongside their brothers
in the shade, without doing a thing.

What I want shouldn't be confused
with final inactivity:
life alone is what matters,
I want nothing to do with death.

If we weren't unanimous
about keeping our lives so much in motion,

if we could do nothing for once,
perhaps a great silence would
interrupt this sadness,
this never understanding ourselves
and threatening ourselves with death,
perhaps the earth is teaching us
when everything seems to be dead
and then everything is alive.

Now I will count to twelve
and you keep quiet and I'll go.






A callarse 
Pablo Neruda

Ahora contaremos doce
y nos quedamos todos quietos.
Por una vez sobre la tierra
no hablemos en ningun idioma,
por un segundo detengamonos,
no movamos tanto los brazos.

Seria un minuto fragante,
sin prisa, sin locomotoras,
todos estariamos juntos
en una inquietud instantanea.

Los pescadores del mar frio
no harian danio a las ballenas
y el trabajador de la sal
miraria sus manos rotas.

Los que preparan guerras verdes,
guerras de gas, guerras de fuego,
victorias sin sobrevivientes,
se pondrian un traje puro
y andarian con sus hermanos
por la sombra, sin hacer nada.

No se confunda lo que quiero
con la inaccion definitiva:
la vida es solo lo que se hace,
no quiero nada con la muerte.

Si no pudimos ser unanimes
moviendo tanto nuestras vidas,
tal vez no hacer nada una vez,
tal vez un gran silencio pueda
interrumpir esta tristeza,
este no entendernos jamas
y amenazarnos con la muerte,
tal vez la tierra nos ensenie
cuando todo parece muerto
y luego todo estaba vivo.

Ahora contare hasta doce
y tu te callas y me voy.